hors champ
espace d'art contemporain
présente
jusqu'au 15 décembre 04
traces 2 performances
une exposition de photos, vidéos et autres traces de performances signées par des artistes français et internationaux invités par le forum itinérant à l'occasion de la 2ème édition du festival européen superformances (14 - 17 octobre 04). traces aussi de "manifiesta", une manifestation blanche organisée le 14 octobre 04 dans l'espace public strasbourgeois, par le forum itinérant et l¹épongistes.
pierre aouston (france)
vernalisation : trace sonore d'une performance-lecture basée sur la création d¹un texte,
avec la complicité de "ville panique" de paul virilio, 2004
philippe charvolin et georges rixens (france)
itinéraire et peinture, action : photos, 1980
le forum itinérant & l'épongistes (france)
manifiesta : photos de michel tchang, vidéo de céline trouillet, oct. 2004
bernhard garbert (allemagne)
coat : installation, 2004
djamel kokène (algérie)
djamel kokene's escort : photos, 2004
laura martin (france) & indersalim (inde)
connaissance de soi / know thy-self : vidéo, 2003
we all are women's issues : posters, 2003
marriage yes / dowry no : posters, 2003
indersalim (inde)
bitch and inder : posters, 2001
unknow sister unknow brother, indersalim/masooma syed : posters, 2003
indersalim : posters, 2002
germain roesz (france)
couvertures : photos, 1979
germain roesz & georges rixens (france)
toile : photos, 1979
roi vaara (finlande)
risky business : vidéo, 2003
karine vonna (france)
j'embrasse tout le monde : polaroïds, 2002
performance trouvée : vidéo, 2002
hors champ
12, rue de champagne
67100 strasbourg
tél : (33) (0)3 88 40 29 91
hors.champ@wanadoo.fr
www.forum-itinerant.org
ouvert du mercredi au samedi de 14h à 18h
apollonia european art exchanges
invites
forum itinérant
in the frame of
“curating the balkans”
international seminar with lecturers and participants from the countries of the balkans
november 24 – 28. 2005
belgrade, serbia and montenegro
organized by
apollonia, european art exchanges
baza – belgrade art initiatives
seminar
according to the now almost classical thesis of edward said, orientalism is a conceptual scheme that mediates the domination of the west upon the orient. in the framework of post-colonial studies major attempts are being made to represent the geographic area described as orient without the mediation of that conceptual scheme, and to empower cultural and political agencies from within it to acquire active positions in constant process of negotiation of what the orient is. maria todorovas definition of “balkanism” as a specific type of orientalism, related to a phantasmatic image of the balkans as “orient in europe”, opens up even a more complex field for dealing with this discourse. In account of that rastko monik makes the distinction between orientalism, where "the logic of domination is imposed by the colonial rule and balkanism where the immanent logic of self-constitution itself generates the incapacity to conceive of oneself in other terms than from the point of view of the dominating other". the process of emancipation from the balkanist discourse therefore doesn’t rely on struggles against direct domination by the other, but on the one against perceiving the local cultural history solely as the outcome of the already set matrix developed in the more advanced european countries whose paths need to be followed and repeated with addition of some local flavors. critical art practices form the region provide us with edifying models that escape the dialectics of mutually supportive and geo-politically defined cultural stereotypes.
the title "curating the balkans" refers to the rising interest in curating exhibitions of contemporary art dealing with the balkan region and some of its socio-political features. recently realized exhibitions, like "in search of balkania, blood and honey or in the gorges of the balkans" are putting in focus of the global art world the relation between the critical art practices in the region and the cultural stereotypes related to the balkans. the motive of the seminar is to critically review the strategies that the curators of these exhibitions are using on conceptual as well as on practical level. the participating curators from the region will position themselves regarding the issues of "curating the balkans" as the theme, as well as "curating from the balkans", the region of their origin, and will be asked to articulate their standpoints on these issues through a concrete joint art project.
the seminar is intended to initiate the process of building the basic infrastructure for institutional cooperation and exchange in the region in respect of curatorial work and art criticism, as well as for individual researches for young professionals in those fields. through the analyses of the institutional infrastructures in the countries of the region and presentations of locally initiated projects dealing with the specific position of the curators and critics working in the region, the seminar will map the existing capacities and provide with an agenda for a joint platform that would facilitate further cooperation between partners in the region as well as strengthen all the local initiatives. the seminar is to be the first in a row, this time concentrating on central balkan countries, and is to be followed by the next meeting at the thessaloniki forum in december 2004.
"curating the balkans", belgrade, nov. 2004
lecturers
dunja blacevic (BIH)
diana popova (BG) to be confirmed
nada beroc (HR)
christos savvidis + sania papa (GR)
kalina bunevska-isakovska (MK)
karine vonna (F)
production and coordination
apollonia
director dimitri konstantinidis
12, rue du faubourg de pierre
f – 67000 strasbourg, france
tel: +33 (0) 3 88 52 15 12
fax: +33 (0) 3 88 52 15 44
e-mail: apollonia-art-exchanges@wanadoo.fr
concept and moderation
zoran eric & stevan vukovic
BAZA – belgrade art initiatives
address: svetozara markovica 54, 11000 belgrade, yugoslavia
phone/fax: +381.11.2646.669
e-mail: office@baza.org.yu
http://www.baza.org.yu
video projection
curated by karine vonna / le forum itinérant
former student of l'école du magasin / national center of contemporary art of grenoble where she attended the international curatorial training program (1998-1999), karine vonna is the founder and the director of forum itinérant, an association of researchers of art. as such, she is in charge of the artistic programming of hors champ, an artistic contemporary space, superformances (european platform for performers), prime time (european meetings with artists and curators collectivs) and la nuit art vidéo (a festival devoted to actuality of european art video). as an independent curator, karine vonna works regularly for the museum of modern and contemporary art of strasbourg, the maillon-theatre of strasbourg, the fonds régional d’art contemporain alsace (regional fund for contemporary art) and for others french and european institutions involved in the field of contemporary art.
• 27 november, 8 pm
galerija SKC (belgrade)
kralja, milana 48, 11000 belgrade
presentation and screening of french video art
songs and lyrics
sylvie blocher, men in pink, 8', 2001
éléonore de montesquiou, j'étais célibataire, 3' 02, 2001
céline trouillet, song n° 3, 3’30, 2004
karine vonna, screaming 2, 5', 2004
valérie mréjen
comment aider votre mari à réussir dans la vie, 3‘ 23, 1998
il a fait beau, 4’, 1999
le couple, 2' 30, 1999
pascal lièvre, i love america, 3' 40, 2002
pascal lièvre, l'axe du mal, 6', 2003
pascale spengler, body falling, 8', 2003
pierre alferi in collaboration with rodolphe burger & olivier cadiot, the welsch / aunty élisabeth, 4‘, 2000
public territories / private territories
éléonore de montesquiou (france) & helena tulve (estonia), delta, 20', 2004
nina kovacheva & valentin stefanoff (bulgaria), Currency, 6’, 2003
nina kovacheva (bulgaria), what is the color of sentiment, 5' 34, 2004
stalker (italy), romolo ottaviani & aldo romolo, untitled, 5', 2000
botto e bruno (italy), In the same place, 6', 2002
emmanuelle antille (switzerland), reflecting parts, 4'50, 1998
nicoletta stalder (switzerland), frau holle, 4', 2004
irene maag (switzerland), silk membrane, 3', 2002
hubert czerepok (poland), computerstudio 001, 8', 2002
marek wasilewski (poland), silence, 11', 2003
karine vonna
présente
les rêves éveillés
d'emmanuelle antille
le 24 novembre 04 au
neuer berliner kunstverein
Née en 1972, Emmanuelle Antille vit et travaille à Lausanne (Suisse)... Elle a représenté la Suisse lors de la dernière biennale de Venise... Ses références sont le plus souvent cinématographiques : Lynch pour la dimension onirique, le rêve, la fiction poussée à l'extrême ; Cassavetes pour la spontanéité, l'improvisation, cette façon de capter la vie dans ce qu'elle a du plus intime, mais aussi la littérature ou la musique... Depuis 1997, Emmanuelle Antille réalise des installations vidéos dans lesquelles le rêve, la fiction et la réalité s'interpénètrent et se superposent étroitement. Des vidéos qui sont comme des rêves éveillés. C'est comme si elle s'était donné pour défi artistique de traduire les images du rêve via le médium de la vidéo, de rendre visibles et tangibles les images issues du rêve. "Le rêve, dit-elle, est une vie parallèle, une forme de réalité... Dans le rêve tout se décloisonne."
programme proposé par karine vonna, directrice artistique du forum itinérant :
Reflecting parts, 1998, 4'50
Wouldn't be nice, 1999, 14'
Night for Day, 2000, 27'
Radiant Fantasy, 2000, 16'
Lee's Season, 2001, 26'
The Creek, 2003, 18'